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The track then transitions to this skit that was briefly started on the earlier track “Woodcrest Manor II”. If I ever had a check for each and every single time a nigga at the finish line, I own Nike, nigga Icy niggas, black, white, hypebeast niggas
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#Raury all we need review full
Sheist, my nigga, world’s full of sheisty niggas The production is so calming and smooth and Raury delivers some nice lines. It personally doesn’t excite me, or rather it just isn’t as exciting as the tracks that came before it. I can’t really say I dig this track all the way though. Raury gives a pretty solid verse to close this track off too. As far as production goes, it’s mostly acoustic except for the last half off the track. Basically like selling your soul to the devil or evil for greedy reasons. It deals with how the devil basically will make you all these promises if you give into him, or rather conform to what’s around you. The way this track goes, as far as subject matter, reminds me a bit of what I heard off of Kendrick Lamar’s To Pimp A Butterfly earlier this year. The first single released from this album and a flip side to the track “God’s Whisper” off his previous project. Could’ve done without that lumberjack line though. It’s a pretty nice track, not one of my favorites or anything, but the production one again is solid. Nice to see him lending support to some of the newer artist out here. The vibe of the track kinda reminds me of something I’d hear off 808’s & Heartbreak. I dig the effect he’s going for here with the sort of computer voice effect basically correlating to the track title and all. I was never really that big on Raury’s singing on tracks, but I think it goes over well here. Subject wise, this track is Raury reminiscing on the “good times”, looking back on how things used to be and how things have developed. Didn’t really care for it, but this new track here is actually really nice. Definitely a highlight.įirst thing I thought of when I saw the word “Woodcrest” was The Boondocks, but anyways, this is a sequel track to one of his songs off his previous project. Two leaders that were slain for speaking the topic on the schemers and the reapers of forbidden knowledge Or the mind state of Martin after visiting Selma I wonder what Malcolm found after going to Mecca And to add icing on the cake, coming down from Mount Olympus himself…BIG K.R.I.T.! Krit blesses this track with a pretty beautiful verse that closes this track nicely.īrother look, you don’t need to go to jail just to read you a book We manifested reality based on are personality Another highlight for me on this track is when the acoustics come in for Raury’s second verse and with him singing and harmonizing and everything in the background. I also love that bass line that comes in on the chorus of this track. Too many cells, the residents, the body’s polluter
#Raury all we need review skin
We can grow out of control like cancer under the skin of Mother Nature The subject matter is and the way he goes about it feels a lot more mature than what you’d expect to hear: The production is tight and Raury’s verses are really good. I’m liking this so far.įeaturing Big K.R.I.T. Raury starts rapping in this spoken word style and it’s actually really nice. Both tracks are pretty ambitious, but this one in particular I like way more, especially the latter half of this track. Track kind of reminds of his other track “God’s Whisper”. Track kicks off and Raury is strumming the shit out of that acoustic. It’s feels like a prologue or the opening credits to some coming of age indie film. I don’t think the track is super extravagant, but I like it.
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The message of the track is pretty loving too, being that he’s basically saying love can save the world, because all we need is love. Reminds me a bit of something I might hear from Fleet Foxes. But the track as a whole is actually pretty nice. Okay so I’m not sure what’s going on with the first minute of this track, but it sounds like that old THX intro that played at the beginning of your old VHS tapes back in the day.